The Soundcraft MH3 offers dual-mode operation and is available in 24, 32, 40, 48 and 56 mono channel frame sizes, all with an additional four stereo channels as standard. It also is outfitted with eight groups, 12 auxiliary busses, the same mic amp and EQ designs as the Soundcraft MH4, eight VCA and eight Mute groups with snapshot automation, true LCR panning and outputs, and an integral 12x4 matrix.

With modular block architecture, inputs are assembled in blocks of eight, reducing cost and weight, but they are still accessible from the top of the console for servicing. Four stereo inputs comprise a single block, while the output and master modules also form two blocks.

The Digitally Steered Array (DSA) Series from EAW includes DSA full-range and low-frequency loudspeakers as well as DSAPilot software. Each loudspeaker includes amplification and digital signal processing that can be used to tailor vertical output pattern to match a given acoustical environment.

The Ball from Blue Microphones is a phantom-powered dynamic microphone with a proprietary active balancing circuit in the output stage that maintains a constant pure-resistive 50-ohm load across the usable frequency spectrum.

Its “Class A” phantom-powered circuitry is solid state. Polar pattern is cardioid, with a frequency response of 35 Hz to 16 kHz. Sensitivity is 3.5mV/Pa at 1 kHz (1 Pa equals 94 dB SPL). Output noise is 18 dB, “A” weighted, while output impedance is 50 ohms. Maximum SPL is rated at 146 dB. 48 V DC is required for phantom power, with current draw at 2.5 mA.

The AT3060 phantom-powered tube microphone joins the Audio-Technica 30 Series.

It operates on standard 48 V phantom power, so it does not require a separate power supply and cable. It also offers a new large-diameter diaphragm cardioid condenser element and a nickel-plated brass acoustic element baffle that enhances element stability.

The tube is shock-mounted to dampen mechanically induced vibration. The AT3060 includes a large coupling and precision valve design. The mic finish is silver satin. An AT8458 shock mount and a protective pouch are included.

dbx Professional ZC wall-mounted controllers are for use with the dbx DriveRack 260. The ZC-1 offers remote programmable volume control for any installation using the DriveRack 260.

The ZC-2 provides programmable volume and mute control. Both the ZC-1 and ZC-2 can be programmed for up to six outputs of the DriveRack 260. The ZC-3 allows program selection on the 260.

The ZC-4 also offers program selection via contact closure inputs for room combining applications. Up to six units can be used with a single DriveRack 260 and can either be wired in series or parallel. The ZC-BOB was created to accommodate “home-run” or parallel wiring to the unit. Maximum length of wiring runs is 5,000 feet.

Allen & Heath has added the PS-5 remote controller, which works in conjunction with the PL-4 infrared wallplate controller within the A & H iDR DSP audio system for fixed installation and live audio applications. The iDR concept was established to allow installers to choose a combination of products to create “set and forget” tailored audio distribution and control systems.

The Electro-Voice QRx-212H/75 is a two-way loudspeaker with an asymmetrical 75-degrees x 50-degrees rotatable constant directivity horn. In factory delivered position, the horn provides a 15-degrees up/35-degrees down vertical coverage pattern. The rotatable horn allows 180-degrees rotated mounting, while keeping nominal coverage.

The Martin Audio W8LC is a compact, three-way, all-horn line array loudspeaker system with an asymmetrical design allowing mid- and high-frequency horns to function as separate devices, with true 90-degree horizontal dispersion. Enclosures measure 39.4 inches by 14.5 inches by 21.7 inches and weight 121 to 132 pounds, including flying hardware.

Peavey has debuted four redesigned CS Series power amplifiers: CS 800H, CS 1200H, CS 2000H and CS 3000H. Power ratings go from 800 W to 3,000 W. Each amp channel offers a variable crossover, variable low pass filter and an amp function switch that switches from highs, lows or full range.

The Shure Beta 54 headworn vocal microphone offers a supercardioid design and is available in both wireless and hardwired configurations. Operable from 20 Hz to 20 kHz, it is outfitted with a low-output cartridge that helps it handle high sound pressure levels (149 dB SPL maximum).

The Beta 54 is offered in black or tan colors and comes with a snap-fit windscreen, detachable boom mount, and flexible, adjustable headband. Prior to introduction, the Beta 54 was field-tested by a prominent group of artists and engineers from the touring and broadcast worlds.

The Summit Audio 2BA-221 microphone and line module offers continuously variable microphone impedance from 100 ohms to 10 K ohms, separate and simultaneous solid state and tube outputs, a separately controlled Hi-Z/line and microphone inputs for individual mix control.

Community T-CLASS Series of touring loudspeakers includes full-range TFR and subwoofer TSS components. TFR loudspeakers employ a three-way horn-loaded design with a pair of 12-inch ferrofluid-cooled woofers, a single M200 midrange driver, and either one or a pair of UC2 two-inch, non-metallic high frequency transducers.

Eight TFR mid/high sections are available and can be installed quickly in the enclosures, allowing an inventory of separate mid/high sections to be maintained. Two input modules are offered, one that facilitates either passive or bi-amp operation and another that supports tri-amplification. These can also be swapped. The TSS subwoofer is loaded with single 18-inch woofer and has a trapezoidal enclosure identical to that of the TFR components. The cabinets have standard three-point, seat-track rigging.

The TC Electronic Reverb 4000 is a single-engine stereo version of the TC System 6000, and includes reverbs and presets from System 6000 and M5000.

The Yamaha 01V96 digital mixer is a rack-mountable unit offering 40 simultaneous mixing channels with full resolution 24-bit/96 kHz audio and stereo effects with 32-bit internal processing and full automation. ADAT connectivity is integrated. Inputs 1-32 include independent gating/compression processors, four-band parametric EQ, delay and two pre-EQ/post-delay insert points. Stereo inputs 1-4 offer parametric EQ.

Up to four of the built-in effect processors (two at 96 kHz) may be used simultaneously, with up to 99 scene memories available to store snapshots of console settings.

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