Testimony: One Man’s Decision
A loudspeaker field report

Chuck Westfall, owner of NY-based Tapestry Sound was looking for what he calls his “next-generation speaker box”. What follows is his brief essay on this process.



Why stand in line if you don’t have to? That’s the question I asked myself last summer over and over again. For me, the purchase of my next-generation speaker box would take me well into the new decade. The choice had to be right.

LINE ARRAYS?

First up was the line array from L’Acoustic. They looked great, tasted great, sounded great ­ what’s to hate? You set up the line array (never less than four boxes) point them towards the audience and away you go! Works well…damn well!

But, I’m from New York. Buildings here are tall and the rooms are small. What if your audience is not set out in front of your line array like little soldiers, but scattered about in lumps and bits with a thrust here and a balcony there. What happens when you don’t have an audience of 1,000 people or more?

Here in New York (and elsewhere, I’m sure), we have big shows, little shows, medium shows, outdoor shows... well, you get the idea. Most line arrays sound great (and don’t get me started on its directionality and control) but, if we need to change the array’s basic configuration, we can’t.

We needed a new generation, relatively small, loudspeaker with split tops and bottoms. We need to set up one box or one hundred and one boxes, point them at an audience, and have it sound great.

We required a versatile box that would succeed in many and various situations, fitting in with the various rooms and sets. After previewing several new generation loudspeakers, the NEXO Alphas were clearly a perfect choice for our diverse loudspeaker needs.

QUICK!

Our first Alpha application was in New Orleans with the Neville Brothers, French loudspeakers for a French vibe and a great band. Unfortunately, when we got onsite and the rig points wouldn’t work (don’t ask).

Quick, get some scaffold! Quick! Set it up. Quick! Take it down, its in the video sight lines. Quick! Move the speakers off stage, way off stage.

Darn, there’s a big hole in the middle. Quick! Rig up a center fill. Quick! Get into rehearsal. Bottom line, with all the last minute onsite changes thrown at us, we were able to adapt. The show went well and sounded great. If I had been on “line”…well, I don’t care to think about it.


Photo #1: Dock Ready, Low and Wide

Next up were two industrial shows for Lucent Technologies, one in San Diego and one in Palm Springs. Both were straight-ahead ballroom industrial shows, heavy on radio lavs.

Simple, right? Fly left and right of stage 120ft(36.6m) throw, set up two lines of delays, notch for feedback, and we’re ready to go.

In this scenario, the loudspeaker coverage was so good that it made one line of delays redundant and the response was so smooth they nearly made the 1/3rd octave EQs unnecessary.

Our third Alpha deployment was a ship naming in Ft. Lauderdale for Royal Caribbean Cruise Lines. (see Photo #1) Audience seating was 40ft(12.2m) deep by 120ft(36.6m) wide, No problem there! We just added boxes until we got the wide dispersion we needed, no fuss, and no muss.

This floating show was orchestra with click, singers downstage, and speeches at the podium. All worked, even in the south Florida rain. The event got very loud without sounding harsh or scratchy.

We’ve used these boxes in many configurations. Each time they exceeded all expectations. The NEXO boxes proved to be versatile, quick and user friendly.

Given the fast pace at which projects come and go and the inevitable onsite changes, the Alphas have performed perfectly in every situation. Did I mention they sound great?

 

Chuck Westfall is the principal Tapestry Sound is based in Lindenhurst, NY, with satellite locations in Orlando, FL, Phoenix, AZ, and San Diego, CA. Westfall can be reached via phone at Tapestry Sound +1(631)842-1670.

July/August 2001 Live Sound International

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