JANUARY 2005

• Taking The Opry On The Road
• Getting more (and improved) "woof"
• Sacred Sound: Contemporay Trend
• Loudspeaker Power Ratings
• RF Solutions for now and the future
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MARCH 2005

• Compression in the live world
• Line Arrays go Hollywood
• First Person: Tricks of the Trade
• Wireless Jungle: The Next Step
• Sound Off: Networking and transport
• Roundtable: Audio over Ethernet
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FEBRUARY 2005

• Chick Corea and Friends
• The RH Line Array Blueprint
• Coporate Audio
• Digital Consoles
• Tech Topic: EQ
• Micro Files: Mic Techniques
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JANUARY 2004

• Nature and role of impedance
• Mark Gander, the next challenge
• Have a bad customer?
• The mixing torture chamber
• Ongoing acoustical challenges
• Experiencing a true original
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MARCH 2004

• Want to develop golden ears?
• Factors that make a "good" system
• Building your own monitor wedges
• Street sports get legit concert sound
• Surround: Looking at evolution
• Ins and outs of equipment leasing
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MAY 2004

• Smoking out with Cypress Hill
• Truth about loudspeaker wire
• How fiber optics really works
• Weather conditions on sound
• Ethernet facts and opinions
• Making cables: Is it worth it?
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JULY 2004

• Back on the road with Tesla
• Sound at the Coachella Festival
• Line array mics
• The bi-polar nature of sound folks
• Keeping the noise out of a system
• Now, then and the future
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SEPTEMBER 2004

• Sonics for 3DD and Nickelback
• Get AC grounding correct- or else!
• The lives of service technicians
• Providing "Blue Collar" wireless
• CBGB: Hard & loud for 30 years
• Punch it up on the digital box?
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NOVEMBER 2004

• 2004 Summer Olympic Games
• Avoid system noise problems
• Keeping up with complex products
• Paying attention to paperwork
• Concert touring in Nashville
• Red Hot Chili Peppers in Europe
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FEBRUARY 2004

• Reinforcing comic Eddie Izzard
• Range of venues for Good Charlotte
• Live recording complications
• Logic to maximize your console
• Control in the sound level arms race
• Catching up with Michelle Sabolchick
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APRIL 2004

• New sound at the Grand Ole Opry
• Methods in network transport
• Want to torture a sound mixer?
• Simulating audience in soundcheck
• In-house or rental system?
• Proper mixing console gain structure
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JUNE 2004

• Graphing in 3-D
• Carnival in Rio
• When hearing starts to drift
• Getting a handle on EQ essentials
• The secret life of sales reps
• When lawyers attack
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AUGUST 2004

• Tuning a system with FFT
• New audio at the Greek Theater
• Fun tricks in the land of DI
• Quality sound in Nigeria
• The "human" side of measurement
• Fending off outside influences
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OCTOBER 2004

• Where measurement matters
• Attaining quality live recordings
• Repair vs. replace old gear
• Inmates running the asylum?
• Is cheap cheerful?
• Mic techniques: Capture the moment
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DECEMBER 2004

• Fun & games with amp specifications
• Using an analgo impedance meter
• What is loud? Really loud??
• Rocking the vote
• Sound design: Pritzker Pavillion
• Recording for soundcheck benefit
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JANUARY 2003

• Real World Gear: Stage monitors
• View Points: A matter of ethics
• Audio Basics: Mix monitors & house
• Systems for Beck on tour
• Jim Risgin on corporate audio
• McGrath on mixing the Stones
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MARCH 2003

• Bruce Jackson's life in sound
• A look at the Lake Contour
• View Points: Mic jargon, eval
• Sacred Sound: Blame for problems
• Sound Off: Hearing protection
• Audio behind prison walls
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MAY 2003

• Real World Gear: Consoles
• Backstage at the Grammys
• Test your power knowledge
• Viewpoints: Reliance on data
• A walk through Meyer Sound
• Make the most of trade shows
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JULY 2003

• To IEM or not? A debate
• On tour with Def Leppard
• Madam Butterfly: Sound for opera
• Lyin' arrays? Inside the hype
• Profile: Mixer Deanne Franklin
• Real World Gear - speaker processors
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SEPTEMBER 2003

• To IEM or not? A debate
• On tour with Def Leppard
• Madam Butterfly: Sound for opera
• Lyin' arrays? Inside the hype
• Profile: Mixer Deanne Franklin
• Real World Gear - speaker processors
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FEBRUARY 2003

• Ear Sense: SPL abuse evidence
• Inside Tori Amos on tour
• Real World Gear: Mic preamps
• Sound in lead role at Apollo
• Audio power and its effects
• Oktava mics - missile incoming
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APRIL 2003

• Fidelity for hip-hop live
• Amps & transducers, together
• CAD tools for DIY speakers
• Dead inventory and your biz
• The roots of an audio hotbed
• Latest on webcasting
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JUNE 2003

• On tour in Latin America
• Intensive V-DOSC training
• Quick thinking at clubs
• IEM systems on a budget
• The story of MASS connectors
• Horizontal speaker arrays
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AUGUST 2003

• To IEM or not? A debate
• On tour with Def Leppard
• Madam Butterfly: Sound for opera
• Lyin' arrays? Inside the hype
• Profile: Mixer Deanne Franklin
• Real World Gear - speaker processors
More...

OCTOBER 2003

• To IEM or not? A debate
• On tour with Def Leppard
• Madam Butterfly: Sound for opera
• Lyin' arrays? Inside the hype
• Profile: Mixer Deanne Franklin
• Real World Gear - speaker processors
More...

SEPTEMBER/OCTOBER 2002

• America's largest festival
• Jack's Place: Tubes and dudes
• Real World Gear: Wired vocal mics
• The Rolling Stones START IT UP
• Twenty questions: Microphone quiz
• Theatre Craft: Zone in the delays
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JANUARY/FEBRUARY 2002

• Hollywood Palace's New Sound
• Maryland Sound with Neil Diamond
• Digital Recording in the Rockies
• LiSA, LiSA: An Italian Array
• "Riverton Cemetery" Spooky Sound
• Ghost Story: Bizarre Standing Waves
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NOVEMBER/DECEMBER 2002

• Robbie McGrath on mixing the Stones
• Sound for NASCAR racing
• Low-frequency behavior models
• Managing monster-wide sheds
• Your genius mix - who owns it?
• Viewpoints: Analysis & intuition
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